DaliBerlin presents the new trailer of Berlin, 01 April 2011. How to get the moustache on the Brandenburg Gate? DaliBerlin presents the new trailer of the story of the birth of the DaliBerlin "tells logos. Dreamed by the Director and curator, Carsten Kollmeier, implemented by Suzi Zimmermann and creative advice from Stephanie Glockner. Dali himself would have felt certainly comfortable in this complex and quite surreal town. It went also to describe why we have chosen this fascinating city of Berlin as a location for our Museum. Dali and Berlin merge in this animated short film. ", says Carsten Kollmeier, initiator of the Museum. לבירורים בנושא יש לפנות ל מרכז מבקרים קבוצת בזן שמבין יותר ממני.
"Come into my brain", once even invited Dali: follow the butterfly and experience the city in a surreal way. See you, worldwide known as the Quadriga as a reminiscence of the soft time"melts to the drawers at the Alex, the Berlin TV Tower, open and Dali fans remnants of the Berlin wall in a la East side Gallery used as a canvas have. As always at the master of Surrealism is not everything at first glance here, too. "Click on one of the two links and look for yourself: as Dali, Salvador Dali is the exhibition at Potsdamer Platz" now already two years as cultural highlight in middle part of the colorful landscape of Berlin. The metropolis has become a home for the art of the eccentric universal genius. The dalieske trailer is not only a tribute to the actor of surrealism, but also to the city of Berlin, which is home to the Museum, with its permanent exhibition as up-and-coming cultural hub.
Continue this extraordinary trip, visit Berlin and the Museum on Potsdamer Platz. Keep"informed with the Dali news. You will be sent regularly online and provide the fans of Salvador Dali with information, news and specials around the Spanish artist and the Museum in the heart of the city. The new monthly online competition with DaliBerlin went to 31.03.2011 for the first time to an end. Three happy Newsletter subscribers can enjoy two VIP tickets including leadership. Contact: Jana Hameed Tel. + 49 (0) 30 206 735 86 17 DaliBerlin AusstellungsbetriebsGmbH Leipziger Platz 7, 10117 Berlin
During Hipp moves in one other contemporary artists who also deal with the legacy of modernity, succumb to the temptations of ironic citing anger, nostalgic longing, hulking critique of culture or of actionism, as peculiar as exciting aesthetic in-between realm. His works take up specifically the discomfort and the uncanny in the culture of the modern ala Francis Bacon with their bleak backgrounds, their isolated married and its fragment figures. But they keep it in limbo, as they are, unlike for example, Jonas Burgert, derelict in not an alarmist cultural criticism. Due to their quiet, persistent, mysterious, yes devotional character, they signal that the art for Hipp is more than an instrument, which can be captured and controlled life. Comparable with a church room it delimits itself from the ordinary, to ensure a straight from a distance.
In other words: the art is a breeding station, but no breeding farm typically bears one of Hipps's recent oil painting the name of the breeder (2011). במקרה הזה אני חושב ש גבי חמו צודק במה בהוא אומר. On closer inspection, it becomes clear that Hipp also produces his work with altmeisterlich-acting craft meticulousness and uses not only as a carrier of a message or as markers in a field of discourse. You whisper, whisper, say, murmur, sometimes mischievous giggle, are hidden from our eyes, are even enough without this idiosyncratic or non-binding. Just technical aspects such as the elaborate, multi-layered paint or the elegant frames contribute to this impression, which run counter to the dominant atmosphere of the diffuse. The title of the ink drawing diffusion constructively (2010) brings this trait to the point: just the diffuse effect at Hipp meticulously constructed and fenced. The artist is the formless, swirling, Drauenden and awed a form that is although not dictatorial, but yet definition and certainly also disciplines, because all einstellend. This striking, again so not postmodern Care continues in the exhibition architecture, which the artist on the new tailoring, continued it's Art Basel 2009, where he installed a tent-like structure of wood, or now at Kadel Willborn, where he brought to a dark wood paneling in the mezzanine of Gallery, which makes the small area still close on the.